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Foley artists use any object or environment as their source material for this sounds. This includes the props and sets from the filming, as well as environments such as parking lots, fire escapes, and store interiors. Most Foley artists prefer to work in a built up area that has plenty of environmental sounds, even if it is not the intended location of a specific take. The same sound that is used in the actual shooting should be used in every take.[7] Foley artists can also use objects that they have brought with them onto the set, or spare items pulled from their props or personal piles. A Foley artist, while recording many sounds, also strives to capture the essence of the location.

Some Foley artists purchase the actual equipment used in shooting instead of using their own personal and hand-crafted equipment. Depending on the project, a Foley artist may use a variety of equipment to capture different sounds. These might include:

Interviews, script readings, re-workings of lines, and other post-production work are the most common areas where Foley artists are often hired. A first-cut of the film, or film-out, is completely re-recorded with newly recorded sounds. Foley artists are often hired to make these new sound additions. Additionally, they have been credited for helping craft much of the dialogue in the films.

An interview with the director, producers, and other key individuals is an important pre-production step for most sound designers. Two of the most in-demand interview compilations are by Dave Mendelson and Peter Kurtenbach of Sound Ideas. Interviewing an animal expert for talking animal sounds a very useful way of identifying and recording a range of packs, parrots, and other animal calls. These can then be used as sound effects to keep the animals authentic and relevant to the story line. A dialogue recording of someone in a crowded room may want to be used for a main character having a verbal altercation with several other characters. These sound effects may involve objects to create some distance and for the audience to hear a conversation going on by hearsay. d2c66b5586

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